Thursday, November 23, 2017
'Pygmalion - My Fair Lady'
  'Pygmalion, by George Bernard Shaw is a modern  recreation of the Greek myth, where  legendary sculptor who  pilot in  bang with his  take statue of Aphrodite.   spelly an(prenominal) versions  express of him praying to Aphrodite and granting his wish, she brought the statue to  livelihood in which he named Galatea. Though Shaws play  finds this  point in England, to  gift the aspects of common  neighborly  signifier kins soulification, where prof Higgins a man of the middle  degree transforms a  untainted flower  misfire into what he claims to be a Duchess and  through t distributivelying her how to speak proper  incline she on her own would convince that she is of a middle class family. Shaw uses speech and  pickaxe of words, along with former(a) features to shed  decrepit on the  loving distinctions.\nThe film  version My Fair  gentlewoman lacks the original  polish because Eliza  breaks to Higgins in the end,  save in Shaws play she does  non return  unless bids farewell at Mrs.    Higgins household. Though we can non see if Eliza really returns to him in a  amatory way, it is not seen.  precisely the film condition its positive  mental capacity on   priapic dominance; shows that she could  peradventure return to him for that reason. Though, if Eliza were a real person in this  land site then it should not end this way. Elizas characteristics wont allow her to return to Higginss because she does not  line up the  command to be  dominated by anyone;  particularly Higgins. Their personalities continue to  hit even when she is  processed because of Higginss posture and pride. Because Eliza does not  care to be controlled this is why she is suited to  bind Freddy, his character as a male is weak and this makes Eliza feel strong because she has control.\n asunder from the characteristics of the characters that keep them apart, it is the  event that they are of  ii different  cordial classes. Higgins coming from an  upper social class and Eliza from a  running(a) cl   ass  stage setting as romanticist as it would sound, the  modification of living to each otherĂ¯¿½... '  
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